Film Analysis - The Truman Show Essay Example | Topics and Well Written Essays - 2500 words

Film Analysis - The Truman Show - demonstrate ExampleThese different stages in the story of a fun are organized in to a sequence by the construction of certain devises called as muniment. It is the narrative that defines a story in terms of space and time. It also decides and structures the funtic elements and the events of the story. The narrative can also manipulate the awareness of listening by using a series of co-creative techniques such as flashbacks, replays of action, slow motion, speeding up, jumping surrounded by places and times for constructing the story world for specific effects (Schmidt 2011). There exist some theories that govern the narrative that share some links with the theories of drama. Both the narrative and the drama draw their theories from Aristotles Poetics, where he explains that topics such as character, plot, beginnings and endings, poetic justice, and the goals of representation, are as relevant to narrative theory as to a poetics of drama. In th e modern times, however, most theorists follow the view of Roland Barthes who stated that narrative is present in myth, legend, fable, tale, novella, epic, history, tragedy, drama, comedy, mime, mental picture think of Carpaccios Saint Ursula, stained glass windows, cinema, comics, news item, conversation (Richardson2012). Though there are similarities in the literary and movie theatreic narratives, there exist diverse dissimilarities when the narrative strategy is articulated through the medium of films. Since films use conglomerate cinematographic modes for the aesthetic expression of narrative, the concept of generalization that rules a dramatic film and a literary textual matter gets obscured. The filmic... This study is an analysis of a drama film, The Truman Show and the narrative constructed in it. The Truman Show (1998) is an American drama film directed by Peter SWeir and written by Andrew M. Niccol. The film has a voyeuristic shot that allows its viewers to gaze upon the everyday life of Truman. A few close-up shots of the producers and the main characters of the Show provide an penetration as well as the base for the main plot of the film, which is Trumans life. The time marker and the show attribute are inserted in the Show while allowing the show viewers to watch their star Truman. Thus, the filmic audiences are provided with a window within a window style of spectatorship. For instance, Truman is being gazed by the hidden camera in Meryls necklace his neighbors, friends and colleagues the actors on the fix the production crew the global audience members of the television show on the film set the real film spectators in the theaters and finally the gaze effected by the subjectivity and reflexivity of the narrative text. Reality is a perception created by the temporal and spatial continuum. A successive and mutual blending of images gives these images a chronological function. In this film, the representation of reality is done not by the c onventional integration or disassociation of time and space and image and sound. The subject of the show, Trumans life, is a continuum in the electronic space, for the broadcast viewers. Trumans life, worry any theater performance, is a staged performance by a group of artists who plays their roles to perfection.